Many composers reacted to the Post-Romantic and Impressionist styles and moved in quite different directions. There was also a revival of interest in the music and composers of the past. Shostakovich included Russian songs in his symphonic works satirically and at enormous risk to himself and his family during the reign of Stalin. For example, Arnold Schoenberg’s Piano Suite, Opus 25 used a 12-tone series. Even when longstanding genres were used, composers felt very comfortable abandoning the traditional structures of those genres. This created polyphonic texture. Composers also found inspiration from other music genres (i.e.
Such as the accessibility of numerous compositions from this school of thought. What continued the development of the orchestra during the 20th Century is how it used. This Hilarious Conductor Perfectly Captures How Orchestra Rehearsals Go, Aryn Michelle Fights The Good Fight With New Music, 11 One Hand Piano Songs You Can Perform with One Hand, 10 Famous Saxophone Players You Should Know – Great Saxophonists, 2Cellos Cover Muse’s Hysteria at Real Mental Hospital, How Prison Songs Have Evolved Since Johnny Cash. Orchestral Musicians Bring Whales To Surface – This Will Take Your... Elgar’s Nimrod Vocal Performance Will Make You So Emotional. Schoenberg took the next step and invented his own system of musical organization that gave each of the twelve notes of the chromatic scale equality. This style often tried to recreate everyday sounds and place them in a “Futurist” context. CTRL + SPACE for auto-complete. New ways of combining chords and building chord structures were also used. Stravinsky's works, particularly after the highly acclaimed The Rite of Spring, did not emphasize tonality but felt restrained.
Composers still wore many hats; they were conductors, performers, teachers, etc. Technological advancements in radio, TV, and recording enabled the public to listen to music in the comforts of their own home. It is a kind of ‘Doppler effect’. Complexity and experimental music were not the only avenues that composers of the 20th Century explored. Musical themes that weren’t widely used in past periods were given a voice. Harmonies became more dissonant and new chord structures were used. The process of extending musical vocabulary by exploring all available tones was pushed further by the use of Microtones in works by Charles Ives, Julián Carrillo, Alois Hába, John Foulds, Ivan Wyschnegradsky, and Mildred Couper among many others. This period also saw the rise of many women composers. Tonality was no longer able to provide Schoenberg with the musical possibilities that it used to.
By closely listening to the music of the 20th century, we can hear … The culture of the United States of America, especially, began informing an American vernacular style of classical music, notably in the works of Charles Ives, John Alden Carpenter, and (later) George Gershwin. The entire system of keys that had dominated the musical landscape since the late Renaissance was by many composers, ultimately dismissed in favor of what would become known as ‘serialism’. From this sprang an unprecedented “linguistic plurality” of styles, techniques, and expression. All of the various changes that happened to music from the Middle Ages to the Romantic period contributed to the music of the 20th century. It uses the idea of layering ostinati to generate a musical piece. Music also began to include completely new systems of tuning, where the division of the octave into 12 equal parts was superseded by ‘microtonal’ options regularly, including quarter-tones and sixth-tones.
Igor Stravinsky and Sergei Prokofiev were particularly drawn to primitivism in their early careers, as explored in works such as The Rite of Spring and Chout. Other Russians, notably Dmitri Shostakovich, reflected the social impact of communism and subsequently had to work within the strictures of socialist realism in their music. Although 20th-century composers used and/or were influenced by composers and music forms of the past, they created their own unique sound. This result, in many cases, was too far removed from what 20th Century audiences were comfortable with listening to. Noisemakers were added, making the tone color of 20th-century music richer and more interesting. Certain compositional techniques and rules were either altered or rejected. Other composers, such as Benjamin Britten (War Requiem), explored political themes in their works, albeit entirely at their own volition. Existing technologies were improved upon and new inventions were made, such as audio tapes and computers. One of the most important developments in 20th Century classical music was the effective dissolving of tonality.
These repeating patterns can be both rhythmic and melodic, with their harmonic focus still with its feet in the tonal spectrum. From the work of many minimalist composers, including John Adams has come to a redefinition of what music can be and how it could be listened to and performed.
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