Building materials also align with the character: a balloon timber frame clad with fibre cement.
Scott Burrows. Consequently, its central pavilion, with living areas at ground level and main bedroom and ensuite on the upper level, looks onto the courtyards and a garden, minimizing sightlines to surrounding neighbours. A range of communal areas cater for the fluctuating number of occupants. This seaside vibe is emphasized by the internal spaces’ deliberate lack of embellishment and predominantly all-white colour palette, further reinforcing the home’s sense of ease and informality. Decorative timber veneers – Expression Series Black.
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By clicking send message I agree to the terms and conditions, privacy policy and to receive correspondence from The Realestate Conversation and Williams Media. LinkedIn is the world's largest business network, helping professionals like Justin O'Neill discover inside connections to recommended job candidates, industry experts, and business partners. © 2020 Architecture Media. Not that the project came without its fair share of obstacles, primarily a site measuring only eight metres wide and bordered by seven other properties. All rights reserved. The benefit of the home’s south-facing orientation is that both courtyards could be opened up to the north and so the entire house receives generous amounts of natural light. The use of reflected light from the bush has also been a part of delicate mitigation between ground and view, high and low, earth and sky. Why. Phone . Contact. Margie Fraser By clicking send message I agree to the terms and conditions, privacy policy and to receive correspondence from The Realestate Conversation and Williams Media. While its namesake lake has a quiet, secluded location inland, approached by a sandy hiking track through Wallum country, this house sits prominently above the street. A range of private retreats and communal spaces, both internal and external, was required.
Taubmans Windy Beach, used predominantly on the interior walls and ceilings, complements the polished concrete floors and neutral joinery, and emphasizes the interior’s deliberate lack of embellishment. Product updates, applications and industry news. “They embrace the idea of minimal intervention, which really freed up the possibilities of the site,” he explains. Justin O’Neill formed O’Neill Architecture in 2010, following seventeen years as founding director of Arkhefield.
The outdoor room is a pivotal social space as well as a physical linchpin between the main and guest/teenagers’ pavilions.
(Earn CPD points.). Published online: 1 Feb 2018 When Justin O’Neill founded O’Neill Architecture, he saw a firm where its clients could access an enormous amount of expertise and intellectual property to create outstanding projects, uniquely one without the layers, delays and inefficiency of a traditional practice. Architect Justin O’Neill’s plan is driven by a learned response to the local climate. Images: It complements the neutral kitchen joinery and dining room’s shelving, as well as the main living areas’ polished concrete flooring. This ethos remains at the heart of everything we do. Not that the project came without its fair share of obstacles, primarily a site measuring only eight metres wide and bordered by seven other properties.
By filling the panels’ joints, O’Neill gives this upper-level wall a monolithic appearance that dynamically shifts the perception of scale depending on the angle the home is viewed from. As a seasoned surfer who’s spent many a holiday on the island, he is well versed in the nuances of its weather patterns. Name * Email * Country . O’Neill Architecture offers a different approach to architecture for challenging and competitive times. ... Join our architecture and design community of 56,000+. Washington D.C. Metro Area. (Earn CPD points.). Experimentation with the builder to seek sustainable solutions in the highly corrosive environment led to a concrete sealant being applied to the exterior fibre cement. At low tide, a knotty network of sandbars, mud flats and mangroves make imaginable an ancient connection to the mainland, and to South Stradbroke Island at its southern tip. He was the jury chair of the Australian Institute of Architects Queensland State Awards in 2009 and chair of the Brisbane Powerhouse from 2011 to 2016. Natural colours and materials integrate the house into the landscape. The articulation of spaces and the half-buried status of the smaller northern pavilion contribute to the breaking down of the scale of the building into typical “island” proportions.
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