User:Jane023/Paintings in the National Gallery, User:Jane023/Paintings by Carel Fabritius, Wikidata:WikiProject sum of all paintings/Collection/National Gallery, Wikidata:WikiProject sum of all paintings/Creator/Carel Fabritius, https://nl.wikipedia.org/wiki/Bestand:Carel_Fabritius_-_Self-portrait_-_National_Gallery,_London_-_1654.jpg, Lokale beschrijving toevoegen (brontekstmodus), Noord-Nederlands schilder, tekenaar en prentkunstenaar, original file from http://www.nationalgallery.org.uk/paintings/carel-fabritius-young-man-in-a-fur-cap, {{Painting| |Title=
** ''de:'' Porträt eines jungen Mannes mit Pelzmütze und Küraß (Selbstporträt?) NOMBRE DE PAGES VUES . Of all Rembrandt's pupils, Fabritius was the only one to develop his own artistic style. In 1650, Fabritius moved to Delft, where he developed a more colourful style. ★ Résolution de l’image: 817×1000 px. 1642 tot 1654 Carel Fabritius (–1654) Aliassen: Carel Fabricius, Carolus Pietersz. That work is now in the National Gallery in London. Gerard Terborch 1617 - 1681. Fabritius died young, caught in the explosion of the Delft gunpowder magazine on October 12, 1654, which destroyed a quarter of the city, along with his studio and many of his paintings. Fabritius, https://creativecommons.org/publicdomain/mark/1.0/. Initially he worked as a carpenter (Latin: fabritius). Of all Rembrandt's pupils, Fabritius was the only one to develop his own artistic style. Carel Fabritius wordt algemeen beschouwd als Rembrandts meest getalenteerde leerling, voor wie onder anderen Vincent van … He also showed excellent control of a heavily loaded brush, as in The Goldfinch (1654). He used cool colour harmonies to create shape in a luminous style of painting. Album: Carel Fabritius, #4/8. View in Augmented Reality. Fabritius was also interested in complex spatial effects, as can be seen in the exaggerated perspective of A View of Delft, with a Musical Instrument Seller's Stall (1652). This Self-Portrait shows Fabritius with a shock of tousled curls, in an open-necked shirt that reveals his chest hair. Carel Pietersz. In contrast, Fabritius' portraits feature delicately lit subjects against light-coloured, textured backgrounds. Initially he worked as a carpenter. Elderly Couple Distributing Goods to Children in Open Air Carel Fabritius • 1645. Dit bestand wordt op de volgende 3 pagina's gebruikt: De volgende andere wiki's gebruiken dit bestand: date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1642-00-00T00:00:00Z/9,P1326,+1654-00-00T00:00:00Z/9,P1480,Q5727902, label QS:Len,"A Young Man in a Für Cap and a Cuirass (probably a Self Portrait)", label QS:Lde,"Porträt eines jungen Mannes mit Pelzmütze und Küraß (wahrscheinlich ein Selbstporträt)", medium QS:P186,Q296955;P186,Q12321255,P518,Q861259, dimensions QS:P2048,70.5U174728;P2049,61.5U174728, Reproducties van het werk kunnen ook worden beschouwd als publiek domein omdat ze geen oorspronkelijk karakter hebben. Van dit bestand is vastgesteld dat er geen bekende auteursrechtaanspraken op rusten, alle aanverwante en naburige rechten daarbij inbegrepen. Like Rembrandt’s, they are vigorously painted, with strong contrasts between light and shade. The Raising of Lazarus Carel Fabritius 1643. Fabritius was born in the village of Middenbeemster in the Dutch province of North Holland and studied under Rembrandt. His father and his brothers Barent and Johannes were painters and, although not formally trained in art, Fabritius's ability gained him a place at Rembrandt's studio in Amsterdam.
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