Each of these songs must be substantively rendered, clearly audible, intelligible, and must further the storyline of the motion picture.
The category was originally called Best Scoring. View nominees. Eight composers have won Oscars two years in a row: As of 2020, only nine women have been nominated in Music Score categories: Ann Ronell, Tylwyth Kymry aka Meg Karlin, Angela Morley, Marilyn Bergman, Rachel Portman, Anne Dudley, Lynn Ahrens, Mica Levi, and Hildur Guðnadóttir. Noted nominated composers known for their music mostly outside the film world include: Aaron Copland, Kurt Weill, Gian-Carlo Menotti, Philip Glass, John Corigliano, Peter Maxwell Davies, Randy Newman, Richard Rodney Bennett, Stephen Schwartz, Andrew Lloyd Webber, Artie Shaw, Trent Reznor, Quincy Jones, Herbie Hancock, and Jonny Greenwood. From 1934 until 1937, nominated films were represented by the head of the film studio's music department rather than the composer. From 1937 until 1945, film studios could submit one eligible film of their choosing, guaranteeing it a nomination. During that time, both categories had many name changes: Following the wins of four Walt Disney Feature Animation films in six years from 1990 to 1995 (The Little Mermaid, Beauty and the Beast, Aladdin, and The Lion King) during a period called the Disney Renaissance, it was decided to once again split the Best Original Score category by genres, this time by combining comedies and musicals together. We felt that Academy members outside the music branch didn't distinguish between the two. These do not include nominations (or awards) in the Best Original Song category. So when a score like The Lion King is competing against a drama like Forrest Gump, it's apples and oranges – not in the quality of the score, but in the way it functions in the movie. This minimum since 2020 is established in 60% of the music, which is raised to 80% for sequels and franchise films. In 2020, rules were changed to require that a film's score include a minimum of 60% original music. These are only for nominations in the Scoring categories.
[4] This marked the first time the category was split into separate genres, a distinction that technically still lasts today, although there haven't been enough submissions for the musical category to be activated since 1985. Hamlisch also won Best Song that year for The Way We Were, making him the only composer to win three music Oscars in the same year. In 1957, dramatic and comedy films competed with musicals in a combined category called, Academy of Motion Picture Arts and Sciences, Metro-Goldwyn-Mayer Studio Music Department, Selznick International Pictures Music Department, The Wonderful World of the Brothers Grimm, A Funny Thing Happened on the Way to the Forum, The Lord of the Rings: The Fellowship of the Ring, The Lord of the Rings: The Return of the King, Lemony Snicket's A Series of Unfortunate Events, Three Billboards Outside Ebbing, Missouri, Critics' Choice Movie Award for Best Score, Golden Globe Award for Best Original Score, Grammy Award for Best Instrumental Composition, Grammy Award for Best Pop Instrumental Performance, Grammy Award for Best Score Soundtrack for Visual Media, Grammy Award for Best Compilation Soundtrack for Visual Media, Grammy Award for Best Arrangement, Instrumental or A Cappella, "Rule Sixteen: Special Rules for the Best Picture of the Year Award | Rules for the 85th Academy Awards | Academy of Motion Picture Arts & Sciences", "Oscars Rule to Allow Films to Skip a Theatrical Release This Year", "OSCAR FILMS/OSCAR FILMS/THE RULES; Squeezing Music Into Pigeonholes", "Oscars Keeping Show Date But Make Big News As Academy Lightens Eligibility Rules, Combines Sound Categories, Ends DVD Screeners and More", "Academy Awards 2017: Complete list of Oscar winners and nominees", "Oscar win at 87 may make Ennio Morricone the oldest winner ever", "Italy, Hollywood Celebrate Ennio Morricone's First Competitive Win", Academy of Motion Picture Arts and Sciences (AMPAS), https://en.wikipedia.org/w/index.php?title=Academy_Award_for_Best_Original_Score&oldid=976637809, Best Original Music Score Academy Award winners, Creative Commons Attribution-ShareAlike License, RKO Radio Studio Music Department, Max Steiner, head of department, Warner Bros.
It has never been awarded in its present form due to a prolonged drought of films meeting the sufficient eligibility requirements. The scores of Midnight Express by Giorgio Moroder in 1979, Slumdog Millionaire by A. R. Rahman in 2009, and The Social Network by Trent Reznor and Atticus Ross in 2011 are the only scores with electronic based music ever to win the award. The years shown in the following list of winners are the production years, thus a reference to 1967 means the Oscars presented in 1968 for films released in 1967. Each film's actual composer(s) are listed in parentheses. The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer.
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