Profile: American jazz alto saxophonist and composer (Composed "Take Five" for the Dave Brubeck Quartet) Born : November 25, 1924 in San Francisco, California. The Dave Brubeck Quartet featuring Paul Desmond, Pure Desmond (CTI Records 40th Anniversary Edition), Paul Desmond & the Modern Jazz Quartet (Live), The One I Love Belongs to Somebody Else (Remastered) - Single, She Was Too Good to Me (40th Anniversary Edition), Paul Desmond: The Best of the Complete RCA Victor Recordings, Jazz At College of the Pacific (Remastered) [Live] [feat. It included dates with Gerry Mulligan for Verve, various sessions with Jim Hall, and a concert with the the Modern Jazz Quartet. The record, filled with such beautiful jazz standards as "My Funny Valentine," "I've Got You Under My Skin," and "Body and Soul," is very rich in texture, yet subtle and mellow overall in mood. He met Brubeck in the late '40s and played with his Octet. Paul Desmond (November 25, 1924 – May 30, 1977), born Paul Emil Breitenfeld, was a jazz alto saxophonist and composer born in San Francisco, best known for the work he did in the Dave Brubeck Quartet and for penning that group's greatest hit, "Take Five". His warm, elegant tone was one that he admittedly tried to make sound like a dry martini. Find album reviews, stream songs, credits and award information for Desmond Blue - Paul Desmond on AllMusic - 1962 - As intended, this album presents alto sax…

As intended, this album presents alto sax specialist Paul Desmond as never featured before, with the backing of a string orchestra. Brubeck wouldn't be Brubeck without this saxophonist's cool sound. Paul Desmond, Ron Cotty, and Joe Dodge], The Dave Brubeck Quartet Featuring Paul Desmond In Concert, Chet Baker, David Nadien, Lewis Eley, Harold Kohon, Herbert Sorkin, Emanuel Green, Jesse Levy, Paul Desmond, Bob James, Barry Finclair, Harry Glickman, George Ricci, Romeo Penque, Paul Gershman, Ron Carter, Max Ellen, Steve Gadd, Warren Lash & George Marge, Paul Desmond, Jim Hall, Connie Kay & Percy Heath. There are also reissues from A&M and CTI, though recordings on Artist House and Finesse remain regrettably out of print. Desmond has always been most familiar to the jazz public for his sweeping scale passages and his seemingly effortless spontaneity during periods of improvisation, although here he is often featured in a more lyrical ballad style on such romantic tunes as "My Funny Valentine," "Late Lament," and "Then I'll Be Tired of You." The legendary Jim Hall is featured as guest guitarist, playing yet another scintillating role and using his classic comping style. Desmond wrote their biggest hit, "Take Five". The arrangements are extraordinary throughout this collection, including the charming "Valentine," which begins with a fantastic Elizabethan flavor. The intro sets up the mood to carry Desmond into the first chorus, which then glides into a 20th century style. Copyright © 2020 Apple Inc. All rights reserved. The tone of the album: lush, reflective, thought-provoking, and soul-stirring. The Quartet formed toward the end of 1950 and took final shape with Eugene Wright and Joe Morello a few years later. Also collaborated with Gerry Mulligan, Jim Hall, Chet Baker, Ed Bickert. Desmond was born Paul Emil Breitenfeld in San Francisco, California on 25th November 1924. Both of these musicians spent time working with Dave Brubeck and later lent themselves to many of Antonio Carlos Jobim's bossa nova projects.

He came to prominence with the Dave Brubeck Quartet, which lasted from 1951 until 1967.

His warm, elegant tone was one that he admittedly tried to make sound like a dry martini. He and Art Pepper were virtually the only alto players of their generation not directly influenced by Charlie Parker.

Hall is perhaps the most highly respected of all jazz guitarists for his good taste and witty inventiveness. Died : May 30, 1977 in New York City, New York. Desmond was influenced by Lester Young, but took it further, into melodic and harmonic worlds never before traveled by reedmen -- especially in the upper registers. Desmond played his loping, slow, ordered, and intricate solos in direct contrast to the pianist's obsession with large chords, creating a myriad of textures for melodic and rhythmic counterpoint unlike any heard in jazz.
from Brazil. Plays a diverse mix of Jazz, Samba and Bossa Nova Plays a mixture of your very favorite, unmistakably Brazilian tracks. Played with the Dave Brubeck Quartet from 1951 until 1967. Read More. When the Quartet split in 1967, Desmond began an intermittent yet satisfying recording career. Paul Desmond was widely quoted as saying that he wanted his saxophone to sound like a dry martini.
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As intended, this album presents alto sax specialist Paul Desmond as never featured before, with the backing of a string orchestra. Brubeck wouldn't be Brubeck without this saxophonist's cool sound. Paul Desmond, Ron Cotty, and Joe Dodge], The Dave Brubeck Quartet Featuring Paul Desmond In Concert, Chet Baker, David Nadien, Lewis Eley, Harold Kohon, Herbert Sorkin, Emanuel Green, Jesse Levy, Paul Desmond, Bob James, Barry Finclair, Harry Glickman, George Ricci, Romeo Penque, Paul Gershman, Ron Carter, Max Ellen, Steve Gadd, Warren Lash & George Marge, Paul Desmond, Jim Hall, Connie Kay & Percy Heath. There are also reissues from A&M and CTI, though recordings on Artist House and Finesse remain regrettably out of print. Desmond has always been most familiar to the jazz public for his sweeping scale passages and his seemingly effortless spontaneity during periods of improvisation, although here he is often featured in a more lyrical ballad style on such romantic tunes as "My Funny Valentine," "Late Lament," and "Then I'll Be Tired of You." The legendary Jim Hall is featured as guest guitarist, playing yet another scintillating role and using his classic comping style. Desmond wrote their biggest hit, "Take Five". The arrangements are extraordinary throughout this collection, including the charming "Valentine," which begins with a fantastic Elizabethan flavor. The intro sets up the mood to carry Desmond into the first chorus, which then glides into a 20th century style. Copyright © 2020 Apple Inc. All rights reserved. The tone of the album: lush, reflective, thought-provoking, and soul-stirring. The Quartet formed toward the end of 1950 and took final shape with Eugene Wright and Joe Morello a few years later. Also collaborated with Gerry Mulligan, Jim Hall, Chet Baker, Ed Bickert. Desmond was born Paul Emil Breitenfeld in San Francisco, California on 25th November 1924. Both of these musicians spent time working with Dave Brubeck and later lent themselves to many of Antonio Carlos Jobim's bossa nova projects.

He came to prominence with the Dave Brubeck Quartet, which lasted from 1951 until 1967.

His warm, elegant tone was one that he admittedly tried to make sound like a dry martini. He and Art Pepper were virtually the only alto players of their generation not directly influenced by Charlie Parker.

Hall is perhaps the most highly respected of all jazz guitarists for his good taste and witty inventiveness. Died : May 30, 1977 in New York City, New York. Desmond was influenced by Lester Young, but took it further, into melodic and harmonic worlds never before traveled by reedmen -- especially in the upper registers. Desmond played his loping, slow, ordered, and intricate solos in direct contrast to the pianist's obsession with large chords, creating a myriad of textures for melodic and rhythmic counterpoint unlike any heard in jazz.
from Brazil. Plays a diverse mix of Jazz, Samba and Bossa Nova Plays a mixture of your very favorite, unmistakably Brazilian tracks. Played with the Dave Brubeck Quartet from 1951 until 1967. Read More. When the Quartet split in 1967, Desmond began an intermittent yet satisfying recording career. Paul Desmond was widely quoted as saying that he wanted his saxophone to sound like a dry martini.
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The Battle Cats Knowledge Base

paul desmond songs


Desmond is best known for his years with the Dave Brubeck Quartet (1959-1967) and his well-known composition "Take Five."
Profile: American jazz alto saxophonist and composer (Composed "Take Five" for the Dave Brubeck Quartet) Born : November 25, 1924 in San Francisco, California. The Dave Brubeck Quartet featuring Paul Desmond, Pure Desmond (CTI Records 40th Anniversary Edition), Paul Desmond & the Modern Jazz Quartet (Live), The One I Love Belongs to Somebody Else (Remastered) - Single, She Was Too Good to Me (40th Anniversary Edition), Paul Desmond: The Best of the Complete RCA Victor Recordings, Jazz At College of the Pacific (Remastered) [Live] [feat. It included dates with Gerry Mulligan for Verve, various sessions with Jim Hall, and a concert with the the Modern Jazz Quartet. The record, filled with such beautiful jazz standards as "My Funny Valentine," "I've Got You Under My Skin," and "Body and Soul," is very rich in texture, yet subtle and mellow overall in mood. He met Brubeck in the late '40s and played with his Octet. Paul Desmond (November 25, 1924 – May 30, 1977), born Paul Emil Breitenfeld, was a jazz alto saxophonist and composer born in San Francisco, best known for the work he did in the Dave Brubeck Quartet and for penning that group's greatest hit, "Take Five". His warm, elegant tone was one that he admittedly tried to make sound like a dry martini. Find album reviews, stream songs, credits and award information for Desmond Blue - Paul Desmond on AllMusic - 1962 - As intended, this album presents alto sax…

As intended, this album presents alto sax specialist Paul Desmond as never featured before, with the backing of a string orchestra. Brubeck wouldn't be Brubeck without this saxophonist's cool sound. Paul Desmond, Ron Cotty, and Joe Dodge], The Dave Brubeck Quartet Featuring Paul Desmond In Concert, Chet Baker, David Nadien, Lewis Eley, Harold Kohon, Herbert Sorkin, Emanuel Green, Jesse Levy, Paul Desmond, Bob James, Barry Finclair, Harry Glickman, George Ricci, Romeo Penque, Paul Gershman, Ron Carter, Max Ellen, Steve Gadd, Warren Lash & George Marge, Paul Desmond, Jim Hall, Connie Kay & Percy Heath. There are also reissues from A&M and CTI, though recordings on Artist House and Finesse remain regrettably out of print. Desmond has always been most familiar to the jazz public for his sweeping scale passages and his seemingly effortless spontaneity during periods of improvisation, although here he is often featured in a more lyrical ballad style on such romantic tunes as "My Funny Valentine," "Late Lament," and "Then I'll Be Tired of You." The legendary Jim Hall is featured as guest guitarist, playing yet another scintillating role and using his classic comping style. Desmond wrote their biggest hit, "Take Five". The arrangements are extraordinary throughout this collection, including the charming "Valentine," which begins with a fantastic Elizabethan flavor. The intro sets up the mood to carry Desmond into the first chorus, which then glides into a 20th century style. Copyright © 2020 Apple Inc. All rights reserved. The tone of the album: lush, reflective, thought-provoking, and soul-stirring. The Quartet formed toward the end of 1950 and took final shape with Eugene Wright and Joe Morello a few years later. Also collaborated with Gerry Mulligan, Jim Hall, Chet Baker, Ed Bickert. Desmond was born Paul Emil Breitenfeld in San Francisco, California on 25th November 1924. Both of these musicians spent time working with Dave Brubeck and later lent themselves to many of Antonio Carlos Jobim's bossa nova projects.

He came to prominence with the Dave Brubeck Quartet, which lasted from 1951 until 1967.

His warm, elegant tone was one that he admittedly tried to make sound like a dry martini. He and Art Pepper were virtually the only alto players of their generation not directly influenced by Charlie Parker.

Hall is perhaps the most highly respected of all jazz guitarists for his good taste and witty inventiveness. Died : May 30, 1977 in New York City, New York. Desmond was influenced by Lester Young, but took it further, into melodic and harmonic worlds never before traveled by reedmen -- especially in the upper registers. Desmond played his loping, slow, ordered, and intricate solos in direct contrast to the pianist's obsession with large chords, creating a myriad of textures for melodic and rhythmic counterpoint unlike any heard in jazz.
from Brazil. Plays a diverse mix of Jazz, Samba and Bossa Nova Plays a mixture of your very favorite, unmistakably Brazilian tracks. Played with the Dave Brubeck Quartet from 1951 until 1967. Read More. When the Quartet split in 1967, Desmond began an intermittent yet satisfying recording career. Paul Desmond was widely quoted as saying that he wanted his saxophone to sound like a dry martini.

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